Saturday, November 4, 2017

Assignment due on OR before 12/2

Between now and 12/2, students are to finish reading and annotating the rest of "I Know Why the Caged Bird Sings".

On or before 12/2, students are required to turn in a written and/or typed 2 page double spaced essay where they make a claim (thesis) about the book using 1 of the 6 critical theories we discussed this summer (and reviewed today 11/3). I have told students that if they struggle with coming up with their thesis statement, or anything in general, they are to email me. I will be checking my email at least once a day between now and when I see them next.

They must share their essay with me electronically before 12/2 OR come with a hard copy on 12/2 when they take their ISEE exam. I will be on site to collect it first thing in the morning, and I will grade them and give feedback on them while they take the exam. The essay will be 50 points.

Their annotations on the rest of the book will be checked on 12/9 when we have our final discussion on the book. The final annotations will be 30 points.

Additionally, I will be accepting bonus vocabulary squares from students on or before 12/9. Students were emailed their current grade this evening around 5pm (to their famefund.org email account), and they should understand what they need to accomplish to end this semester with an acceptable grade. If they are doing bonus vocabulary, they should be doing this using words they have not already done. 

Please email me with questions.

Below are the PowerPoint slides from our Critical Theory review today.   












Saturday, October 28, 2017

Assignment for 11/4

Read chapters 19-23 (you must also read all of chapter 23), and complete the following:





Saturday, October 21, 2017

Due 10/28

Continue reading and annotating chapters 14-18 (also read chapter 18).

You will complete a vocabulary square for at least 8 words. As always, I encourage more. Even though you are looking for vocabulary, your annotations should be more than just circling unknown words.

I am starting to move over to the fameacademy.literacy@famefund.org email address, but if you send things to the other address, I will still get them for a few weeks.

Please message me with any questions.

Below you will find the slides explaining the Vocabulary Squares.



Thursday, October 5, 2017

Reading Schedule Fall 2017

This Saturday you will be getting your Fall books for Critical Literacy, "I Know Why the Caged Bird Sings". Below is your reading schedule for this book.

October 14 - No Class SSAT (start reading since you have double the chapters due next week)
October 21 - Chapters 1-13 (read up to, AND including, Chapter 13 BEFORE class this day)
October 28 - Chapters 14-18
November 4 - Chapters 19-23
November 11 - Classes Cancelled
December 2 - No Class ISEE
December 9 - Chapters 24-36

*As always, you MUST annotate as you read.
**You are welcome to work ahead, but I would recommend trying to keep pace with the course as I may assign you different tasks as you read different sections.
***If you read ahead, you should take more notes on the reading. It will not be acceptable for you to come to class and not participate because you "forget" details you read weeks ahead. You are responsible to make sure you are prepared.

Email me with questions.

Saturday, September 30, 2017

OBAMA Speech TDA and a few other announcements

Sometime BEFORE next Saturday morning (10/7), share your Obama Speech TDA with me at:

fameacademy.literacy@gmail.com

The text, without words cut off can be found at:

The video for the speech can be found at:

Please remember that if you view/listen to the ENTIRE speech, your TDA should still only be on the part of the speech you have been given on the link above (which is the same amount of text you were given in class on 9/30)

Email me with questions.

***I am also hoping you will receive your Fall book very shortly. As soon as I know you have them, I will post your reading schedule here. Please understand that with the delay in receiving your books, you will be expected to read more each week than I had planned, but it should still be a very manageable expectation. 

Thursday, July 20, 2017

Monologue Example

I’m Edmund from “The Chronicles of Narnia: the Lion, the Witch, and the Wardrobe”. In my story I entered a magical land that was under a spell of eternal winter with my siblings. I met a witch who promised me power, and I let the greed of potential power affect my reasoning. I betrayed my siblings by abandoning them and going to the witch with information about their whereabouts. I found out that my siblings and I were the saviors of the land that would help defeat the witch, and she wanted us dead. In the end I was saved by the great Aslan who made a deal with the witch to save me, and my siblings and I defeated the witch and her army to save Narnia. My character is said to be an allegory representation of Kane from the bible. Just like Kane, I taught readers a lesson in betrayal and showed that even the most innocent person is capable of causing harm. My story was also set in WWII, and showed the history of how parents would send children out of their home country to avoid the war. We study my story today because it is an engaging tale that puts a spin on a familiar religious story, and I feel that readers can learn from my mistakes. Despite the fantasy of my story, readers are able to relate to my family and me as children who seek their purpose in the world with some bumps along the way.

Wednesday, July 19, 2017

Thank You, Ma'm (Due Friday 7/21)

Click the following link to view your next text. Ignore the question and chart on the document, but answer the questions that follow the link after you have read.

https://drive.google.com/file/d/0BxMR2fnByMrIRER1R1RNU0JaTms/view?usp=sharing

1. Was Mrs. Jones’s treatment of the boy effective or foolish? Explain your answer.
2. Which character should have been more afraid of the other? Explain your answer.
3. What do you think is the most effective treatment for criminals? Explain.
4. Create a plot triangle for the story and label the exposition, rising actions, climax (turning point), falling actions, and resolution. Also, make a note of what conflict is driving this story forward.

Monday, July 17, 2017

Caged Bird Assignment (Due July 19)

Click the link below, download the document, and read the poems and answer the questions with them.

Complete this BEFORE class on Wednesday, July 19, 2017.


https://drive.google.com/file/d/0BxMR2fnByMrIU3J4dmdRSW1heGc/view?usp=sharing

Monday, July 10, 2017

Monologue/Wax Museum Guidelines (Examples Coming Soon!)

Monologue/Wax Museum Project

Students will be choosing a character or author from one of the first four books we read this summer, and I will guide them through becoming that character/author in an effort to educate their parents on what we learned from that character/author in the book in which we met them.

Students will write a monologue for their character/author based on these provided guidelines, and on parent day at the end of the summer, they will dress like their character/author to present their monologue. The goal is to have students frozen as their character in a living wax museum. Parents will walk through the museum and activate the wax figures to hear their informational monologue.

Monologue requirements:
¨  Should be 60-90 seconds long
¨  Should have the character/author introduce themselves and what book they are from
¨  Should contain a summary of what the character’s role in the story was
o   For authors: contain a small summary of their life that you learned through research
¨  Should inform listeners on what that character/author taught us about history/humanity
       Some examples:
o   Did they teach us the roles of women at a certain time period?
o   Did they teach us about human nature, stages of grief, etc?
o   Did they teach about a civil injustice in our country or another?
¨  Should contain how that character would feel about their issue in present day (are they shocked to see racism is still a problem, that rights for women have come so far, etc.) This can tie into why it’s important that we still study the book in present day.
o   If the book takes place in present day, explain why it/the character is so noteworthy/relevant
¨  If your character was a symbol/allegory/etc., feel free to explain that in your monologue

Wednesday, July 5, 2017

Week 4 Reading Schedule

The Outsiders (the chapters listed on each day must be read before our class period on the days they are listed for)

7/10 Chapters 1-3
7/11 Chapters 4-5 (JOURNALS DUE THIS DAY)
7/12 Chapters 6-7
7/13 Chapters 8-9
7/14 Chapters 10-12

Thursday, June 29, 2017

Week 3 Reading Schedule

Journals are due on 7/5 this week...click here to review the journal guidelines.

7/3 you are to have finished “Copper Sun.”
Weep Not, Child (the pages must be completed before class on the date they are listed for)
7/4 July 4th No Classes
7/5 pages 3-65
7/6 pages 67-105
7/7 pages 107-147

Thursday, June 22, 2017

Week 2 Reading Schedule

Journals are due on 6/26 this week.

By 6/26 you are to have finished “The Piano Lesson.” I would suggest reading this on the evening of 6/23 (23 pages) and then following the reading schedule below for your next book.

Copper Sun (the pages must be completed before class on the date they are listed for)
6/27 up to page 146 (140 pages)…if you read on 6/24, 6/25, and 6/26, you’re only reading about 47 pages per day.
6/29 up to page 198 (48 pages)
6/30 up to page 248 (46 pages)
7/3 up to page 302 (48 pages)

Journal Entry 1

Your first journal entry is due tomorrow, 6/23.

Wednesday, June 14, 2017

The Piano Lesson Reading Schedule

The scenes for each assigned day must be read by the beginning of our class on that day.
The Piano Lesson
6/21 Act 1 Scene 1 (28 pages)
6/22 Act 1 Scene 2 AND Act 2 Scene 1 (36 pages)
6/23 Act 2 Scene 2, Act 2 Scene 3, AND Act 2 Scene 4 (20 pages)
6/26 Act 2 Scene 5 (23 pages)

Due to the cancellation of classes on 6/19, you will have to finish this week's book and start next week's book over this weekend of 6/24-6/25.

2017 Grade 8 Weekly Reading List

*A detailed list will be posted for the pages due each day each Friday for the following week*

Week 1: The Piano Lesson
Week 2: Copper Sun
Week 3: Weep Not, Child
Week 4: The Outsiders
Weeks 5-6: Brothers and Keepers

Annotations
As you read:
  • Circle unknown vocabulary words
  • Underline/highlight powerful phrases or sections
  • Record responses to ideas
  • Record your reactions to sections
  • Pose questions to clarify text meanings
  • Pose questions to further class discussions

*Annotations can be done INSIDE of your books as I will be looking at your annotations to ensure you have read.

Journals
One journal entry is due per week.
Tuesday is the day journal entries are due by the start of your class period.
·         Look at the “How to Write an Independent Reading Journal Entry” for guidance.


2017 Summer Critical Literacy Syllabus

FAME Academy Critical Literacy
Summer 2017
Mr. Krupitzer

Course Description

At the Intermediate level students demonstrate their ability to read challenging, complex texts closely and cite multiple examples of specific evidence to support their claims.  They are able to recognize the interplay between setting, plot, and characters and provide an objective summary of a text apart from their own reaction to it.  They are adept at stepping back to compare and contrast different interpretations of a topic, identifying how authors shape their presentation of key information and choose to highlight certain facts over others. Students trace how an argument develops within a text and assess the validity of the evidence.  They make their reasoning clear to their listeners and readers and constructively evaluate others’ use of evidence while offering several sources to back up their own claims.  The use of vocabulary has developed to the point where they distinguish between denotative and connotative meaning and analyze the effect of specific word choice on tone.  As growing analyzers, students cite several sources of specific, relevant evidence when supporting their own point of view about texts and topics.  


Grading Procedure

Grades will be based on the percent of total points earned from class assignments, participation and effort.

Letter grades will be based on the standard grading scale:

                90 – 100% =   A            
                80 –  89%  =    B                            
70 –  79%  =    C
                60 –  69%  =    D
                50 –  59%  =    F

Attendance and participation in class are essential. Participation includes being in class on time, taking part in class discussions, and working on assignments productively. Homework will be assigned due to the rigorous and condensed nature of the course.

Assignments are to be completed on time. Late assignments will not be accepted. Grades will be posted at the middle and end of the course. Students are expected to stay one top of their assignments.

Assignments/Participation

Assignments will be turned in to the teacher in class or via Google docs; depending on where the students are to work on their assignment. The book that is being read is expected to be in class each day with the annotations that prove students have read.  Critical Literacy is a student driven course. Students are required to do the necessary work to drive this course forward. Journal entries are due once per week: at the start of class on Tuesdays.


Academic Integrity

Students are encouraged to help one another to enhance the overall learning experience. However, cheating, copying, and plagiarism, are all against school rules, and will result in an automatic zero for the assignment. This includes copying another student’s work and passing it off as your own, allowing another student to pass off your work as their own, having someone else complete an assignment, and finding work from the internet and passing it off as your own.


Class Expectations

Students are expected to bring their notebook, computer, pencil, homework and current reading book to each class. Students are expected to stay in a seat unless given permission to move in the classroom, and through our discussions of literature students are to listen and share in a respectful manner. Students are expected to share ideas and participate to ensure the class is modeled after student ideas.

Technology

As stated in the FAME handbook, cell phones are not permitted to be on or used during the school day. If you are caught using your cell phone, you will be asked to leave. Your laptop computers should be used for school purposes ONLY during class. Social media, cameras, and video are not permitted during class unless approved for academic purposes.

Final Assessment

Students will be receiving instructions for their monologue/wax museum project early this summer, so they can begin to plan accordingly. In short, students will be picking a character or author we have studied this summer, dressing up like that character/author, and writing, memorizing, and performing a monologue as that character/author. We will work on the actual monologues in weeks 5 and 6, and the plan is for students to create a wax museum on Family Day at the end of the summer. More information to come. The recitation of the monologues will be informal (in front of small groups, not large crowds). Also note that this is not an acting challenge. Students will be graded on the content/written monologue, not how they acted the role, however students must speak clearly and audibly. This project is being used to fulfill the speaking/listening standards for English Language Arts in Pennsylvania.


How to reach the teacher:
E-mail: fameacademy.literacy@gmail.com

Blog Addresses for course updates (updated daily)
Rising 7: famekrup7.blogspot.com
Rising 8: famekrup8.blogspot.com
Rising 9: famekrup9.blogspot.com